Sometimes fuzzy in structure, the movie is also uncompromisingly realistic, taking us into Tehran offices and factories and onto construction sites.
Overview
Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
Bani-Etemad's womanist bent is stark and bracing.
Ms. Bani-Etemad seems to have a firm hand on the social pulse on her nation, particularly the slowly changing roles of women in a place where change is eyed with both desire and suspicion.
The movie might lack the artistic accomplishment of better-known Iranian movies, but it tempers its melodrama with unflinching willingness to take us inside lives that otherwise would remain remote to us.
This splendid film is no mere polemic, for Rakhshan Bani-Etemad, often called the first lady of Iranian cinema, is above all an accomplished storyteller and dramatist who understands the evocative power of sound and image.
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