Expressionistic in the extreme, filled with shadows, angles and cinematic flourishes, the film raises the usual brooding nightmare ambiance of film noir to a level few other pictures have attempted.
Touch of Evil
The strangest vengeance ever planned!
1958 · 1h 51m · PG-13
Crime, Drama, Thriller
Directed by
Orson Welles
Overview
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.
Director and cast
- Orson Welles Director
- Charlton Heston as Ramon Miguel Vargas
- Janet Leigh as Susan 'Susie' Vargas
- Orson Welles as Police Captain Hank Quinlan
- Joseph Calleia as Police Sergeant Pete Menzies
- Akim Tamiroff as 'Uncle' Joe Grandi
- Joanna Moore as Marcia Linnekar
- Ray Collins as District Attorney Adair
- Dennis Weaver as Mirador Motel Night Manager
- Valentin de Vargas as Pancho (as Valentin De Vargas)
- Mort Mills Cast
Critics on Rotten Tomatoes
Top critics, in their words
Having the Touch of Evil envisioned by our most creative filmmaker, is a wondrous gift no movie lover should miss.
[Welles'] scenes with brothel-keeper Marlene Dietrich have nothing to do with the plot and everything to do with the rotting heart of this amazing fable: the apotheosis of pulp.
Indeed, just to see and hear the extraordinary 3 minute and 20 second opening sequence -- a fluid tour de force tracking shot -- without impediment of opening credits and street-sound-masking movie score is accomplishment enough.
I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.
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