Larrain's (literally) dark, edgy movie is a precise artistic commentary on Augusto Pinochet's miserable regime, which was 
under way while Travolta gyrated.
Overview
A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
Larrain evokes the bleakness and oppressiveness of life in a police state with much subtlety even as he poses a much larger question about cultural imperialism.
Shot with a hand-held camera and presented in a fragmented scenario, Tony Manero is the director's compelling attempt to find parallels between the Pinochet reign of terror and Raul's scruple-less antics.
A memorably claustrophobic evocation of its time and place, as well as a reminder that the so-called escape offered by pop culture can sometimes be an escape into soul-sucking madness.
More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.
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