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In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.
Top critics, in their words
The film from first-timer Francisco Vargas puts a human face on universal suffering. It is also about the power of music, as the title instrument saves (for a while anyway) three generations of peasant men in their roles as guerrilla fighters.
Life-or-death matters are handled with compelling gravity.
A message this political has rarely been delivered in so poetic a form.
A slightly meandering build-up is saved by a second half that really cooks, with Vargas ratcheting up the tension by flirting with genre convention in order to deal with Plutarco's unconventional psychological stand-off with a malodorous Captain.
Shot in a silvery black and white that lends a photojournalistic effect, this is not an easy film to sit through. But it will be a tough one to forget if you do.
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