Dupont has an original way of employing camera movement to suggest erotic chemistry between characters, and Wong, who even provoked a rave notice from Walter Benjamin, is as memorable and confident as Louise Brooks was in the films of G.W. Pabst.
Overview
A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
Music is the usual medley of pop dance stuff, with the cabaret set about the best thing in the production. Camerawork on close-ups is excellent.
A swinging London club; the breakup of a famous performing couple; a well-known dancer being replaced by one younger and more exotic; a murder. All juicy fodder for plot, and it's a good thing.
[Wong's] role of Shosho, the red-hot dancing star of London's Piccadilly nightclub, shows her at her dramatic and erotic peak.
Wong is the kind of gorgeous that burns right through a camera lens, and the kind of mesmerizing that seems without effort or end.
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