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A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Top critics, in their words
"On the Bowery" offers some of the most indelible faces in an American docudrama, faces ravaged by alcohol and poverty, creased by defeat and self-deception, surrounded by a New York City that does not care. Yet no one on screen asks for pity.
On the Bowery runs only 65 minutes, but by the end you can feel skid row in your bones.
Shot on 16mm in black-and-white with a Bolex camera, the results remain stunningly authentic.
This landmark documentary disturbs and compels as much today in a new 35mm restoration as it did when it opened in 1956 to both criticism and acclaim.
As a record of a time and a place in the history of New York, it's essential. As a depiction of men at the bottom of their lives, it has the same sorrowful, accusatory force as a great Depression-era photograph by Dorothea Lange or Walker Evans.
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