Considerably better -- and far more intriguing -- than most entry-level horror pics, marrying a retro B-movie setup with the ghostly obsessions of recent Asian extreme cinema.
Overview
Dr. Taylor Biggs is haunted by a past that's not his own. A hallucinatory drug gives him the power to see visions of vicious crimes, visions made all that more disturbing when he discovers that the murderous memories may belong to the father he never knew . Biggs's mother, whose own failing memory makes her powerless to help him unravel his family history.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
The movie draws upon so many influences -- stylized Hitchcock suspense, surreal Asian horror and the Gothic romance of Britain's Hammer Studios -- it's easier to follow the reference points than the plot.
Filled with labored exposition, stilted line readings and the most unconvincing romantic hookup since Michael Jackson and Lisa Marie Presley.
To what niche does this movie aspire, Michael Crichton sci-fi chiller, Ed Wood camp or neo-'60s grand guignol for former leading ladies of a certain age? You decide.
Adapting his own novel, [director] Davlin seems blessedly unaware of how silly his story is, attacking it with such escalating melodramatic fervor that Memory rises from the disastrously campy to the bizarrely hypnotic.
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