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A love story.
2006 · 2h 2m · R
Drama, History
Directed by
Steven Shainberg
In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.
Top critics, in their words
Stilted, stylized and art-directed within an inch of its life, Shainberg's movie (which was written by his Secretary collaborator, Erin Cressida Wilson) manages to be both oppressively literal and fatefully fuzzy at the same time.
Don't be fooled for a second by that subtitle. Fur bills itself as An Imaginary Portrait of Diane Arbus, but this thing's got all the imagination of a career bureaucrat slumped in his cubicle awaiting a pension.
Shainberg neither sugarcoats [Diane Arbus's] distance from her girls nor judges it. The filmmakers understand Arbus's story within the context of her time and upbringing.
The world created by Shainberg never seems strange or real enough to convince us that we're getting the goods on anything. Put another way, this imaginary portrait might have done better had it stuck closer to reality.
[Arbus's] most famous images still have the power to shock, hanging as they do on the walls of the world's museums. Fur, the movie about her, reaches for that same jolt and settles instead for a raised eyebrow.
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