Fresh
Part of the film's charm lies in its evocation of a generational mural that includes old Marxists, flower children and the progeny of red-diaper babies.
Steven Mikulan, L.A. Weekly
Following Sean
The more things change, the more we're not the same
2006 · 1h 27m · Unrated
Documentary
Directed by
Ralph Arlyck
Overview
Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
86%
Tomatometer
Fresh
What emerges from Arlyck's musings is a penetrating cinematic essay on how generations in the last century struggled to take hold of history and reconfigure the shape of daily life.
Gene Seymour, Newsday
Rotten
Arlyck spends more time following himself and his own lefty family than checking up on Sean.
V.A. Musetto, New York Post
Fresh
Ralph Arlyck's ruminative essay film picks up the trail of Sean Farrell, the former child of San Francisco hippies and the subject of his 1969 short film Sean.
Nathan Lee, New York Times
Fresh
Arlyck's compulsion is to our great fortune. Patient and elegant, his film is a quietly devastating meditation on family, work, and the unrelenting passage of time.
Drew Tillman, Village Voice
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