I have now seen enough of Rocha's work to know that I dislike it for its own sake, and not for the unfamiliarity of its locale and people or for the ritual obsessiveness of its themes.
Overview
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
One of the later entries (1966) in Brazil's short-lived Cinema Novo movement, applying New Wave pyrotechnics to popular and political mythology.
Rocha's frenzied mise-en-scene, which borrows from Fellini, Antonioni, and European avant-garde theater, is so stylized and self-referential that it probably appealed less to the masses than to the left-wing intelligentsia it scrutinizes.
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