In visual terms, it's a whiz-bang marvel of swooping and soaring camera work and psychedelic imagery, lit by the gaudy fluorescence of Tokyo's seamier nightclubs.
Overview
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
If you yourself are stoked for a lurid, oversexed, stupid-with-Freud Midnight Movie extravaganza -- a trip to El Topo via Mulholland Drive -- there are worse ways to spend 2 1/2 hours.
"I hated that" will be a common refrain among people leaving showings of Enter the Void. Don't be surprised, though, if you find yourself still thinking about the movie the next day.
[It's] certainly an immersive experience that's decidedly difficult to shake. The problem is that it's also the most excruciating sit in recent cinematic memory.
As chowderheaded as some of its underlying pretensions are, the movie's still an astonishing work of cinema, alternately brilliant and disgusting, naive and inspired, tedious and sublime.
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