Beautiful but indulgent.
Overview
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
Anna Mouglalis makes for an icier Coco than Audrey Tautou, hardened by the death in 1919 of Boy Capel, the love of her life.
Too much of the time, the film seems intoxicated by its own sense of importance.
Two narcissists do not a couple make, and without any actual relationship, there really isn't a movie.
There's fascinating material here, but instead Kounen and screenwriter Chris Greenhalgh too often settle for giving us a conventional and even dull love triangle: self-absorbed career woman, ailing wife, passive man torn between the two of them.
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