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38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.
Top critics, in their words
Beautifully, economically, directed, acted and photographed (by Sabine Lancelin), 'Belle Toujours' is essentially an affectionate, witty, often farcical jeu d'esprit, sweetly and knowingly bringing together the old-fashioned and the modern.
Belle Toujours lets us peer at one master embroidering on the legacy of another master.
It's also more about class and less about sexual desire.
Belle Toujours is doggedly inconsequential, deliberately non-eventful and blank.
Both performers make the most of skimpy roles, raising an eyebrow or focusing a gaze. But only those who've forgotten Bunuel's psychosexual daring will find such modest achievements nourishing.
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